This timely study of Winslow Homer highlights his imagery of the Atlantic world and reveals themes of racial, political, and natural conflict across his career Long celebrated as the quintessential New England regionalist, Winslow Homer (1836-1910) in fact brushed a much wider canvas, traveling throughout the Atlantic world and frequently engaging in his art with issues of race, imperialism, and the environment. This publication focuses, for the first time, on the watercolors and oil paintings Homer made during visits to Bermuda, Cuba, coastal Florida, and the Bahamas. Among these, The Gulf Stream (1899), often considered the most consequential painting of his career, reveals Homer's lifelong fascination with struggle and conflict. Recognizing the artist's keen ability to distill complex issues, Winslow Homer: Crosscurrents upends popular conceptions and convincingly argues that Homer's work resonates with the challenges of the present day. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (April 11-July 31, 2022) National Gallery, London (September 10, 2022-January 8, 2023)

'Wry, readable and often astonishing ... nimbly combines breadth and sweep with fine-grained attention to detail. The result is a provocative and absorbing history of the United States' NEW YORK TIMES

For a country that has always denied having dreams of empire, the United States owns a lot of overseas territory.

America has always prided itself on being a champion of sovereignty and independence. We know it has spread its money, language and culture across the world – but we still think of it as a contained territory, framed by Canada above, Mexico below, and oceans either side. Nothing could be further from the truth.

How to Hide an Empire tells the story of the United States outside the United States – from nineteenth-century conquests like Alaska, Hawai‘i, the Philippines and Puerto Rico, to the catalogue of islands, archipelagos and military bases dotted around the globe over which the Stars and Stripes flies. Many are thousands of miles from the mainland; all are central to its history.

But the populations of these territories, despite being subject to America’s government, cannot vote for it; they have often fought America’s wars, but they do not enjoy the rights of full citizens. These forgotten episodes cast American history, and its present, in a revealing new light. The birth control pill, chemotherapy, plastic, Godzilla, the Beatles, the name America itself – you can’t understand the histories of any of thesewithout understanding territorial empire.

Full of surprises, and driven by an original conception of what empire and globalisation mean today, How to Hide an Empire is a major and compulsively readable work of history.

Winner of the Merle Curti Award in Intellectual History, Organization of American Historians Co-Winner of the Society for U.S. Intellectual History Book Award Thinking Small tells the story of how the United States sought to rescue the world from poverty through small-scale, community-based approaches. And it also sounds a warning: such strategies, now again in vogue, have been tried before, with often disastrous consequences. "Unfortunately, far from eliminating deprivation and attacking the social status quo, bottom-up community development projects often reinforced them...This is a history with real stakes. If that prior campaign's record is as checkered as Thinking Small argues, then its intellectual descendants must do some serious rethinking... How might those in twenty-first-century development and anti-poverty work forge a better path? They can start by reading Thinking Small." -Merlin Chowkwanyun, Boston Review "As the historian Daniel Immerwahr demonstrates brilliantly in Thinking Small, the history of development has seen constant experimentation with community-based and participatory approaches to economic and social improvement...Immerwahr's account of these failures should give pause to those who insist that going small is always better than going big." -Jamie Martin, The Nation

A beautiful presentation of a new suite of works made for the Menil Collection by Allora & Calzadilla The Puerto Rico-based collaborative duo Allora & Calzadilla created Specters of Noon as a group of seven large-scale works specifically for the Menil Collection. The ensemble is orchestrated around the idea of solar noon, a notion derived from Surrealist texts by Caillois, Cesaire, and others that probe the transcultural mythology of noon-a time when shadows vanish and delirious visions momentarily reign. The works include light projections, guano, ship engines, live vocal performance, and coal. Using the Menil's Surrealist holdings as a point of departure, Specters of Noon is infused throughout with a Caribbean perspective that addresses the instability of environmental and colonial politics; one work is a power transformer damaged in Hurricane Maria that is half-sheathed in bronze. Filled with stunning installation photography and insightful texts both commissioned and reprinted, this volume captures the spirit of Jennifer Allora (b. 1974) and Guillermo Calzadilla's (b. 1971) deeply researched and multifaceted work. Distributed for the Menil Collection Exhibition Schedule: Menil Collection, Houston (September 26, 2020-June 20, 2021)